Critics argue that the reference to the artist is misogynistic, and that the poem’s use of the artist intimidates Prufrock. Similarly, the use of Michelangelo in the poem is controversial. In the poem, Michelangelo is also mentioned as an artist. He says that he is not ready for love yet. In the poem, however, Prufrock talks with his reflection before going to a party. A Renaissance man, he is most associated with the statue of David. Alfred Prufrock,” Michelangelo is mentioned several times.
#LOVE SONG OF J ALFRED PRUFROCK FREE#
However, free verse had to evolve in order to remain relevant in modern times. He cited Walt Whitman as an inspiration, and broke free verse’s limitations in terms of rhythm, sound, and form. It is an interesting way to show the poet’s empathetic approach to poetry.įree verse was first popularized by the Modernist movement, led by poet Ezra Pound. However, there are lines of every metrical length, which capture the ever-changing flow of Prufrock’s thoughts. His meter, pentameter, is the standard English metric. One interesting feature of Prufrock’s free verse is that it is composed of alternating lines of the same metric length. But these references do not necessarily mean that the poems are related, and many readers may disagree. The first line of the poem begins with an epigraph from Dante’s Inferno, and his references to Shakespeare and Dante are clear. Eliot’s references to the Bible and Dante are particularly impressive. The poem contains many references to older poets and poetic forms. His identity is not entirely clear and he is uncertain of himself. The reader will notice that Prufrock is a nervous, apprehensive character who does not trust anyone or anything. This can be interpreted as Prufrock’s desire to sabotage the universe. This creates a sense of dislocation, a feeling of emptiness and anguish. The characters have very overlapping personalities and the novel alternates between gloomy, urban scenes and more abstract, oceanic images. In addition to its allusions, Prufrock uses literary allusions to emphasize themes, such as Prufrock’s isolation in the hellish modern urban landscape. The character Guido da Montefeltro, which appears in Dante’s Inferno, promises to tell the speaker of the poem, or in Prufrock’s case, the reader, about his sins. Its epigraph, for example, is taken from Canto 27 of Dante’s Inferno.
Alfred Prufrock is filled with literary allusions and makes frequent references to other authors.
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